The shameful human and environmental cost of fashion has been well documented. Clearly, the system is woefully broken, as the journalist Dana Thomas writes in her new book, Fashionopolis. But, having spent three years writing it, and many more researching the issue, she remains optimistic.
As technologies advance, she says, there is clearly a worst case scenario to consider: “That the good tech is bastardised and the robots start churning out so much stuff that we don’t know what to do with it.” And yet, she has hope, putting her faith in innovation and increasingly aware consumers. Here’s the future of fashion, as she sees it.
Renting and reselling will continue to rise
The secondhand women’s clothing market is predicted to double from 6% to 13% of the US market by 2028. “That’s a serious portion of the closet,” says Thomas. And for the moments when a one-off gown is needed, she believes shoppers will turn to the burgeoning rental market.
Fashion will become hyperlocal
And sometimes hyperlocal means within your own house. “A ray of sunshine is that I have seen a lot of people turning back to personal crafting,” says Thomas, who is full of heartening anecdotes about knitting circles, spinning wheels and acquaintances growing indigo plants in order to dye their own fabric. “That’s my great hope, that after the digital age we will turn towards craft and mending things.”
Made-to-order will thrive
Initiatives such as Unmade make preordering garments much easier. With preordering designers only make items once they are sold, turning the dominant model – in which shops order items in advance based on sometimes unsuccessful sales predictions – on its head. Such innovative startups, believes Thomas, will increasingly “take some of the pie”. Further off in the future this could, of course, apply to 3D printing. We could be buying a link and printing off our own clothes.
Mid-priced clothing will flourish
“I really hope that people will buy better and buy less,” says Thomas. Relatively speaking, she argues, the price of clothing is nonsensically cheap. She points out that Hattie Carnegie, one of the leading designers in New York from the 1920s to the 1950s, was charging $19.99 for a ready-to-wear suit during the Depression – not far from the price of a fast fashion outfit today. “I see the market changing,” Thomas says, “from high/low designer/high fashion to something with more midmarket options.”
Read more on the Guardian.